PAINT THINGS' is off the wall - The Boston Globe
Painting is the linchpin of art history. That’s why some thrill and some bristle when artists spit in its eye. We expect a painting to hang flat on a wall, to have a discrete rectangular surface, usually framed. We expect a picture. That format invites a particular interaction, in which we imaginatively enter the space it offers us. In “PAINT THINGS: beyond the stretcher” at the deCordova Sculpture Park and Museum, the paintings spill out of bounds into our space.
Painting is the linchpin of art history. That’s why some thrill and some bristle when artists spit in its eye. We expect a painting to hang flat on a wall, to have a discrete rectangular surface, usually framed. We expect a picture. That format invites a particular interaction, in which we imaginatively enter the space it offers us. In “PAINT THINGS: beyond the stretcher” at the deCordova Sculpture Park and Museum, the paintings spill out of bounds into our space.
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