In this volume, the author investigates the phenomenon of soft and dripping paint found in 20th century oil paintings.Preface Acknowledgements 1 Soft and dripping paint: a 20th-century challenge Soft and dripping oil paint: a young challenge in conservation Oil paint in the 20th century Artists’ biographies, evaluating and investigating material history The curing and aging of oil paint Hypotheses for soft and dripping oil paint Research questions Selection of paintings 2 Phenomenology of 20th-century paint. Soft and dripping oil paint: condition categories and their related issues Soft oil paint Solid surface medium 30Matt and cracking paint Water-sensitivity and solubility in oil paint Conclusion 3 Artists’ biographies: studios and personal finances Environmental impact on oil paint and possible local variations Biographical background 39Artists’ biographies Discussion 4 Material practices: the artist’s choices and preferences Asger Jorn Karel Appel Stephen Gilbert Pierre Alechinsky Jean-Paul Riopelle Pierre Soulages The use of substitute oils: implications of the use of fish oil by Cobra artists Conclusion 5 Conclusion Research questions and outset Methodology and setup Examination of the paintings Condition categories Biographical context Artists’ choices of materials Discussion and relevance of findings Impact for conservation Outlook Bibliography
In this volume, the author investigates the phenomenon of soft and dripping paint found in 20th century oil paintings.Preface
Acknowledgements
1 Soft and dripping paint: a 20th-century challenge
Soft and dripping oil paint: a young challenge in conservation
Oil paint in the 20th century
Artists’ biographies, evaluating and investigating material history
The curing and aging of oil paint
Hypotheses for soft and dripping oil paint
Research questions
Selection of paintings
2 Phenomenology of 20th-century paint. Soft and dripping oil paint: condition categories and their related issues
Soft oil paint
Solid surface medium 30Matt and cracking paint
Water-sensitivity and solubility in oil paint
Conclusion
3 Artists’ biographies: studios and personal finances
Environmental impact on oil paint and possible local variations
Biographical background 39Artists’ biographies
Discussion
4 Material practices: the artist’s choices and preferences
Asger Jorn
Karel Appel
Stephen Gilbert
Pierre Alechinsky
Jean-Paul Riopelle
Pierre Soulages
The use of substitute oils: implications of the use of fish oil by Cobra artists
Conclusion
5 Conclusion
Research questions and outset
Methodology and setup
Examination of the paintings
Condition categories
Biographical context
Artists’ choices of materials
Discussion and relevance of findings
Impact for conservation
Outlook
Bibliography
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