To prevent your oil paint from sinking into the support, you should always prime your canvas; here we will demonstrate using white, clear and tinted gesso to prepare a canvas. Best practice is to use 2 to 3 coats on stretched canvas; when using white gesso you will have a brilliant white surface to start your painting. Clear gesso allows the natural colour of the canvas to show through, and a tinted gesso will provide you a coloured ground to start with, which can have a dramatic effect on your work. Here we tinted white gesso with Acrylic Mars Black to provide a neutral mid-grey. Leaving one area of the canvas raw, we ran a swatch of colour across all three prepared areas, the white, clear and tinted gesso, as well as the unprimed canvas. You can see how the oils sink into the canvas rather than sitting on top as it does on the prepared surfaces.
Artists' acrylic gesso is made from an un-pigmented clear resin that provides excellent tooth but dries completely clear. Specially colored gesso
W&N Artists' Acrylic Clear Gesso
Liquitex Professional White/Black/Clear Gesso Surface Prep Medium, 8-oz
Jenni White-Mandujano (snoopylover) - Profile
Underpainting Black Gesso
Acrylic Gesso, White, Clear and Tinted
Liquitex Super Heavy Gesso - 8 oz.
Acrylic Gesso, White, Clear and Tinted
Promo Medium Akrilik Winsor & Newton Professional Acrylic White Gesso Primer Cicil 0% 3x - Kota Bandung - Artemedia Shop
Winsor & Newton Acrylic Gesso - 237 mL, Clear
What is Gesso & How is it Used in Painting? - HelloArtsy
Jenni White-Mandujano (snoopylover) - Profile
Carini Arts- How to Gesso (Raw Canvas)
priming with acrylic gesso - Articles - DakkaDakka